As with most other underground, independent hip-hop artists, Classified remains critical of traditional hip-hop music. In his song "The Final Time" off of Boy-Cott in the Industry, Classified has this to say about hip-hop:
There ain't no skill, ain't no wordplay, just mimics and clones
They all say they're keepin it real, but won't admit that they're wrong
And we got underground cats who are trying to be different...That's respectable
But it's a fine line between being different and good and different and pitiful
Your beats are made with pots'n pans and they don't hit
And if you can flow on a beat then please just leave and don't spit and that's it
Still, as a larger name in the Canadian music scene, Classified tries to team up with other Canadian artists in order to promote the country's unique sound. Though relatively few Canadian rappers make it big (Kardinal Offishall and K'naan being the primary ones), Classified prefers remaining underground so he can have more control over his music and production. However, unlike in America, Canada offers grants to Canadian aritsts who seek to create an album. Not only does this subsidize the cost of creating music, but also allows for country-wide tours, which are rare in Canada. But it's not only the Canadian government that helps to endow the arts in Canada, it's also popular media companies such as MuchMusic, the equivalent of MTV up North. MuchMusic has created and offered many grants to Canadian artists in hopes of increasing the number and quality of the music and videos procuded. For the channel, a dearth of music and videos would limit the Canadian-ness of the channel and turn it into another MTV clone. So, with the grants, Canadian artists are able to get the funding they need to create their music. Additionally, Classified produces each of the songs on all 13 of his albums. This is most clearly shown in his track "Beatin' It," which we've also played on the show:
Though Classified may be one of the first rappers to come out Nova Scotia, many have followed including Buck 65, Sixtoo, Universal Soul, along with many up and coming DJs. In the end, the point to take away from all of this is that while the big-time rappers come out of Atlanta, LA, New York, and Chicago, a lot of the smaller artists do exist in places like DC, Minnesota, and Halifax. And that's a trend that you'll continue to see in many of the articles about underground hip-hop.
Here's one final video, it's Class's new single "Anybody Listening"
Yeah, that's a Genesis sample. And yeah, that's Banksy and Shepard Fairey. Dope.
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