What happened to this band?
Let's say this, they definitely know their new demographic, but I just wish they hadn't changed their sound in order to appeal to tweens and pop-punk princesses. Green Day used to stand for something, maybe picking your nose and making farting noises, but at least they weren't pretentious and self-involved. Their original sound, which lasted (in my opinion) through 1997's Nimrod, was less Linkin Park angsty and more teenage rebellious. They were punk because they captured the emotions and humor of being young, now that they have matured, the band is so much more about faux-punk with their pseudo-riot instigating music. This is clearly exemplified in their totally manufactured/produced new image. When Dookie came out, the band wore whatever they found laying around their house, but now they wear matching black, faux-anarchist gear, almost a Sex Pistols-revival fashion. Guyliner, faux-hawks, matching black and red outfits with ties of course. They act like are incredibly depressed and oppressed by the man, but in reality, their new image and sound helped to propel American Idiot to over 5x platinum in the US. That album sold over 12 million copies worldwide, more than every album since Dookie combined. Talk about a reinvention. Back in the early 90's, the band looked so much like typical teenagers that during Woodstock 1994, a security guard confused bassist Mike Dirnt for a fan trying to get on stage and punched several of his teeth out. And speaking of Woodstock 1994, I present the infamous mud fight:
The band used to be obnoxious, now they are so completely mainstream. This is further exemplified by the band's hiring of legendary producer Butch Vig for their new album. For their previous 4 albums (not counting Warning), the band had worked with Rob Cavallo, but felt they needed a change that led them to work with the man who worked with Nirvana on Nirvana and the Smashing Pumpkins on Gish and Siamese Dream.
Jon Pareles of the New York Times has this to say about the band's new sound: At a time when younger punk-pop bands are singing about girl trouble and professional envy, Green Day has dared to offer something far denser and more demanding: a whirlwind of thoughts about activism, redemption and destruction. The rage and sorrows of “American Idiot” are pushed even further in “21st Century Breakdown,” in songs where idealism and the urge to annihilate are constantly grappling, never far apart.
Though the band has received quite a bit of acclaim for the later work, including multiple Grammy nominations, many in the punk scene and music industry see the band's later work as hypocritical and insincere (since ingenuine isn't a word).
Legendary Sex Pistols member Johnny Rottern had this to say about Green Day, "So there we are fending off all that and it pisses me off that years later a wank outfit like Green Day hop in and nick all that and attach it to themselves. They didn't earn their wings to do that and if they were true punk they wouldn't look anything like they do."
At the same time, The Killers' front man Brandon Flowers describes American Idiot as "calculated Anti-Americanism." He felt that the whole image and production that went into the album was a stunt. For instance, the live CD/DVD was recorded in the UK and Germany, rather than in the US. The concert DVD shows thousands of Europeans singing along to "American Idiot." Flowers said, "I just thought it was really cheap. To go to a place like England or Germany and sing that song - those kids aren't taking it the same way that he meant it. And [Billie Joe Armstrong] knew it."
The constant whine and depression that has become Green Day's sound is mirrored by their apocalyptic, graffiti-styled artwork. This only adds to their faux-punk image, which deters true punk fans.
P.S. This was our 100th post. That's pretty cool.
No comments:
Post a Comment